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ACE Series Part IV: Writing ACE Commentary, or Everything I Need to Know About Arguing I Learned from Billy Madison!

Posted on August 13, 2013 by Richard Newton

Part I of Richard’s “ACE” Series can be read here.

My research deals with the scriptures people use to orient their lives. This interest may have begun in adolescence. Much to the chagrin of my youth group directors, my friends and I had a wider canon than the authorized version of any denomination out there.

Our central text was the Adam Sandler film, Billy Madison (dir. Tamra Davis, 1995). To us it was a cult classic to be quoted chapter and verse. This movie made those awkward teenage years some how more bearable. For every situation, there was some line from the film available for application. And for whatever reason, when I think of ACE commentary, this film clip comes to mind.

Though he uses different verbiage, the principal rejects Billy Madison’s ridiculous response because it lacks, among other things, commentary. And if there is one part of the ACE model your students will struggle with, it will be commentary. Once they invest in an assignment, the assertions will come. Evidence is there for the taking. But cogently explaining how the evidence supports those assertions can really trip students up.

A Thought Experiment

To help students think about the power of commentary, I invite students to participate in a little thought experiment:

  • Recall the principal’s prompt: “…the Industrial Revolution changed the face of the modern novel forever. Discuss, citing specific examples.”
  • Now using information reasonably inferred from the clip, help Billy Madison formulate an ACE response.

Crazy, huh? But have your class give it a shot.

Despite the author’s style and juvenile imagery, The Puppy Who Lost His Way is a poignant allegory for society’s ambivalence about the Industrial Revolution.

The close relationship between the book’s characters registers the tether that manifested between humans and technology. The boy loved the canine puppy as evidenced by the animal’s growth. Readers can infer that the boy played a key role in nurturing the pet viz. a viz. diet and exercise. Similarly the child’s failure to find the lost canine suggests that the boy loved it enough to conduct a search. In historical study, the notion of a revolution connotes a growing social movement such that when juxtaposed with the modifier “industrial” one should imagine a connection, or more poignantly, a leash.

And the issue of who is in control is precisely the question the novel and revolutions challenge us to ask. The narrative makes clear that the woods proved too vexing for the human to find his dog. Likewise, deforestation and other collateral damage from the revolution reenvigored the age-old and archetypal      struggle of humanity vs. nature. So although the author appears to oppose the industry/puppy and the woods, the narrative more profoundly characterizes society as master of neither.

Commentary is for Readers

Would the principal have evaluated the following answer differently? You be the judge.

This exercise provides an inviting way of discussing commentary’s purpose. Students don’t want or try to be misunderstood. But they often forget that critical writing is not about showing that they did the homework or paid attention in class. (All that should be a given.) Rather it’s about helping readers come to understand what an author’s come to know through research and a lot of thought.

Over the years, I’ve noticed that some students skimp on the commentary because they think it redundant. Remind students that though it may feel redundant to them, the reader has had less time to connect the dots. I try to imagine my reader as cynical and skeptical as possible, to the point of writing “So what?,” “why should I care?,” and “Is this relevant?” in the margins of my own rough drafts. This challenges me to be as explicit as possible in tying my assertion and evidence.

Another reason why students struggle with commentary is that they write in solitude. As teachers, we are often the only other person to read a student’s paper—in any form. So consider incorporating a peer editing session as part of major writing assignments. Some teachers use class time to do this, others will make it homework. This extra step usually results in better final essays.

The ACE Matrix

Having now gone through each element, we’ll wrap up our series next time with a discussion on the ACE model matrix and some tips for successful implementation. I look forward to your comments, questions, and experiences. And will see you back here at Seminarium next time.

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Filed Under: SemClass Tagged With: academic writing, ACE, ACE Series, Archive, assertion, assertions, Billy Madison, citation, commentary, composition, critical, critical thinking, Critical writing, evidence, library, peer review, richard newton, skepticism, Thomas Jefferson, writing, writing center

Richard Newton offers courses in New Testament, African American Religions, Islam, and Theories & Methods in Religious Studies. His seminars examine the intersection of religion and identity (e.g. Ethnicity, Gender, & Religion, and the Bible & Race in the USA, ). Newton’s scholarship revolves around the politics of scripture-making. Active in the academic blogosphere, he curates the student-scholar magazine  Sowing the Seed: Fruitful Conversations on Religion, Culture, and Teaching  and hosts the podcast  Broadcast Seeding: Future Food for Thought  – and on Twitter (@seedpods)..

About David Schoenknecht

Comments

  1. Brooke Lester says

    August 16, 2013 at 8:07 am

    Although I hadn’t thought of it as “commentary” before, I have noticed how often a student (or any person) will make some claim (“assertion”), rattle off some data (“evidence”), and believe earnestly that they have thereby made an argument. A classic example in Bible is for a student to offer some interpretation of the text, then simply _re-tell that biblical narrative_ as supporting evidence, in the apparent belief that the text is self-interpreting. What’s missing in that instance, as I see it in light of your series, is “commentary.” Very helpful!

    • Richard Newton says

      August 16, 2013 at 11:37 am

      Thanks, Brooke!

      One of my favorite Hebrew Bible professors, David Gunn, was really good at bringing this point home. I was in a seminar where a lot of us were really eager about biblical studies and quite assertive about what certain texts mean(t). We were less forth right with our commentary. But Gunn would have case study examples from newspapers and the like featuring people who used the same texts to vastly different interpretive ends. He’d then wink and ask us why we arrived at different conclusions. I’ve tried to incorporate similar strategies but I don’t have the smoothness down. He made it look so easy.

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 Pssss…over here.

Are you thinking about or currently advising a student thesis project? If so, did you give your student a list of what should be included in their thesis proposal?

No student in the history of the world has refused such a list. And even though the list makes advising a whole lot more productive, I bet you can name some profs who have been holding out.

At the request of frustrated students everywhere, I’ve created a little guide for you to revise and share as you deem fit.

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